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Estræl Bøisø proffers meandering quiescent transmutations and tonal meditations to create onerous cinematic tableaus. Drums, guitars, electronics and vocals tumble in and out of synchrony. The Palace of Hoi Polloi is an ode to the New York hustle. Each track can be imagined as the background for a film about any or all of 18 million people grinding through the structures of day to day existence.
